Author: Jacquie Biggar

By Chuck Sambuchino

If you’re going to wheel and deal with literary agents and editors, you’ll end up spending more time than you’d like discussing rights, contracts, advances, royalties and a whole lot of other important stuff. That said, I want to address the most common questions regarding how advances and royalties work. In other words, how does the payment process work when you sell a book?

Here are some FAQs:

1. How do writers make money?

You sign a contract with a publisher. In exchange for signing over the North American and English language print rights to your book and possibly other rights, as well, you are paid one of three ways:

• flat fee: a set amount of money upfront that’s yours to keep. The amount does not change no matter how well the book sells. For example, if your flat fee is $10,000, the amount remains the same…

By Chuck Sambuchino

Literary agents are full of great advice for writers. That’s why, whenever I am concluding an interview with an agent, I always end the encounter by asking “Is there any other piece of advice you’d like to discuss?”

This open-ended question often draws a fantastic answer, as the agent’s most passionate advice will pour out.

That’s why I’ve gone through a whole bunch of literary agent interviews and cobbled together some of the best writing tips that agents have passed on over the years. There was so much good material that I had to break it down into multiple columns. This is Volume I, and you can check out agents’ helpful and inspiring advice below.

And I want to take a moment and say that I’m excited about being a recurring new contributor to Writers in the Storm. You will be seeing more columns from me on…

This November, I’m trying National Novel Writing Month (NaNoWriMo). 30 days, 50,000 words – that’s about 1,667 words per day. And I am terrified.

Generally, I write short form fiction and poetry. I’ve started countless novels, but they’re all currently lying about in various stages of abandonment. I have trouble finishing what I start, and I don’t know if it’s just because I don’t plan properly, or I get bored, or I don’t do enough research. But for one reason or another, I’ve never finished a novel. And I would really, really like to.

I owe this adventure mainly to a couple of very creative friends of mine. You can check out two of their blogs here and here. The point of NaNoWriMo is not to create a brilliant masterpiece or shining work of literary genius, although I’m sure some people will. It’s more about giving you the push…

By Sharla Rae

I’m sharing not one list today, but two. The first one covers shades of the basic color spectrum. The second deals with adjectives describing color and the possible “conditions” of color, that is, how it’s used. But Writing in living color is more than just knowing and choosing color descriptions. It’s showing the reader the story in living color even when “no” colors are mentioned.

Here’s how Laura Drake did it in her book, The Sweet Spot.  In this excerpt, the focus is not on the color but the “entire” picture the character Belle presents. Only three basic colors are used. Remove the color terms and the reader would still see this scene in living color.

At the end stood a woman perusing a dog-eared catalog – a woman Char had never met, but recognized from the gossip. This was that new Yankee that moved…

Last time I discussed ways to make dialogue scenes easier to write. But dialogue is more than just what characters say.

Dialogue is action

Dialogue is a kind of action scene. Although the conversation is the main focus, the characters are more than just mouths.

Make the characters respond to each other

There should be give and take. A good scene will give a sense that something in the story has changed; in a dialogue scene you can make the conversation cause this change. And if so, the characters should respond to each other – listen, be surprised, perhaps refuse to accept. They could change each other’s minds or become more entrenched in their wrongheaded mission. Maybe strengthen their supportive relationships; deepen rifts and conflicts.

Non-talking responses

Some writers try to make the characters express everything in speech. For a radio play, that’s probably a necessary evil, but for a…

by Fae Rowen

On the plane home from Atlanta in July, I re-read my notes and handouts, highlighting tips that resonated with me as I prepared for a major edit on my WIP. When I participated in the UC Irvine Writing Project, I learned the technique of highlighting a few word in an article, an essay, or short story that were lessons for me and my writing. The instructors called these highlighted snippets “golden lines.” This method is different from using up the ink of a yellow highlighter as if you’re getting ready for a test. It’s much more selective. Think of it as a “for immediate implementation” list.

Here are my Golden Lines (in no particular order) and how they’ve helped me step it up a level (or two) in my writing:

1. Be grounded in emotional reality. We ‘re human. We feel. I’ve run the gamut of writing…

By Shannon Donnelly

Everyone knows there’s a story arc—story goes up in tension, reaches a peak, and falls down. And there are character arcs, too, since story is character and character is story. But what about your scene arcs? That’s right—every scene needs an arc.

Jack M. Bickham (a student of Dwight Swain, whose book Techniques of a Selling Writer I highly recommend) describes a scene as: “…a segment of story action, written moment-by-moment, without summary, presented onstage in the story ‘now.’” (From Scene & Structure, How to Construct Fiction with Scene-by-scene Flow, Logic and Readability)

This means the scene starts, it has middle, and the scene ends. Wandering or pointless scenes need to be cut. But how do you make a weak scene better so you don’t have to cut it?

1—Make sure every scene has one focal character that comes into the scene wanting one…

   Writers in the Storm welcomes Jacqueline Diamond, author of over 95 novels, including romantic comedy, romantic suspense, fantasy, mystery and Regency historical romance. A two-time finalist for the Rita Award, Jackie received a Career Achievement Award from Romantic Times and is a former reporter and TV columnist for the Associated Press. She writes the Safe Harbor Medical miniseries for Harlequin American Romance and is revising and reissuing some of her old favorites as e-books.

 By Jacqueline Diamond

As a reader, you may scan dozens of covers each time you select a book. Some appeal to you instantly; some put you off. Others are confusing. You wonder, Why isn’t this obvious to the cover designer?

Then one day you self-publish a book and have to design, choose or commission a cover of your own. Even a previously published book needs a new design since rights to the original cover…

A friend of mine is an old-school, English major sort of guy. He was extolling the virtues of literature as we once knew it: contemplative novels; long treatises on the nature of the human condition; and “serious” novels chosen by a small cabal of unknown gatekeepers. His eyes gleamed for the nostalgia of MFA glories, tiny lit mag aspirations and the New York Times bestseller lists of old world, analog publishing.

This is the sort of conversation that takes me places I didn’t expect to go. Only in talking it out, and writing it out here, have I discovered and understood what I think about New versus Old writing, reading and publishing.

The “issue” is, have readers’ tastes changed?

All generalizations weaken questions and answers, but there’s validity waiting down there in the dark. Let’s delve.

Pre-WWII, many schools in the first world taught Latin and Greek. Long recitations of…

by Tiffany Lawson Inman

Going through life, we are always in a state of suspense. Mmmmm…yummy, suspense! According to Oxford dictionary: a state or feeling of excited or anxious uncertainty about what may happen.

Sounds like fun, doesn’t it?

Life moments creating dramatic impact, small and large.

What will happen next?  Is the question on a second to second, minute to minute, day to day loop in our human brain.

I watched my husband play with our baby yesterday.  There was a lot of giggling going on, so I tore myself away from the computer to see what was happening.  She was on the floor and my hubby was sitting at her feet as if she was getting her diaper changed.  Hubby would lift one of her feet and slowly bend over with an open mouth, going in to nibble on her tootsies , but before he got…

 Today we are honored to host Kathryn Falk, also known as Lady Barrow. She’s hailed as “Queen of Romance” and a “brilliant, phenomenal promoter” by the New York Times. Kathryn is the founder of Romantic Times Magazine, now RT Book Reviews. She and her magazine became the voice for reading fans and professional writers alike when there was none. I have known Kathryn for many years and followed her career, finding her one of the most fascinating women I know. Today, she’s here to tell us a bit of her history and how a review magazine works.

Hello to the WITS gang and their readers. It’s really fun being here today.

One of the most fun and interesting times in my life started in 1981 when I founded RT Book Reviews – then called Romantic Times — the very first Romance review publication.  I believed that if…