The Tips to Maximize Conflict in Your Novel


A great post on the importance of conflict, large and small, running through your plotlines

Kristen Lamb's Blog

Kirk

Whenever I blog about craft, I’m coming from the perspective of a long-time editor. I do understand that the creation process is vastly different from the editing process. I know this because I’ve been on both sides. But, if you want to minimize revisions and rewrites, it helps to have some basic editorial skills in your toolbox.

Since many of you might want to pursue self-publishing, you’re wise to hire an outside editor. The cleaner the text, the lower the bill. Even if you want an agent or to traditionally publish, the tighter the writing, the better the odds your work will earn positive attention.

Line-edit is important and no longer my area of expertise. I put commas everywhere and pay other editors the move them where they need to be. Typos happen even to the best of us. Right now, I’m editing my almost 100,000 word mystery-thriller and *head…

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How To Negotiate a Writing Life in 10 Easy Steps


Something I need to work on for sure 🙂

Writers In The Storm Blog

by Susan Squires

Whether you’re just starting out or under contract, being productive isn’t easy. There isn’t enough time. Or enough space. Or enough quiet. Or enough organized thinking. There isn’t enough something, always.

How many times have you heard writers say, “I sure wish I had more_______. Then I could write.” If wishes were horses we all would ride, as my mother used to say. It being the New Year, you might think making resolutions will do the trick. But we all resolve every year to get more writing done. The problem is, resolving to write more is too vague.How will you accomplish that goal?

I’m here to tell you, it’s all about identifying your barriers and negotiating your way out of them.

1. Broaden your definition of Negotiation

I can hear you say, “I’m not a corporate raider or a diplomat. What does negotiation have…

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Running the Red Light by Kelsey Browning – Excerpt and Giveaway


My kind of book 🙂

RR@H Novel Thoughts & Book Talk

Running the Red Light CoverAfter wearing a “Least Likely to Succeed” label all her life, Roxanne Eberly is hell-bent on making her Red Light Lingerie store successful. Although the residents of small-town Shelbyville, Texas, are a little…lingerie-resistant, she’ll win them over eventually. So when a former employer sues her, putting a major wrinkle in her careful plans, she reluctantly accepts help from hot-stuff Houston attorney Jamie Wright.

Jamie’s on track to become his firm’s youngest partner, but discovers an unwritten prerequisite—marriage. Turns out, the only woman he wants is Roxanne, but peddling thongs and sex toys isn’t a suitable career for the spouse of an up-and-coming attorney.

Jamie’s tangled up in Roxanne’s lawsuit, her life and her lingerie. But if they’re ever going to make it work, Roxanne’s big-city boy will have to decide what he values more: the career he always thought he wanted or the woman he never thought he’d fall for.

~~~*~~~*~~~

EXCERPT

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Shocks and Surprises in Fiction: All in Good Fun, or a Gimmick?


keep the suspense ‘real’

Creative Writing with the Crimson League

question-mark-3-1084632-mToday’s post is about twists, turns, and surprises in fiction, and what can make them feel “gimmicky” as opposed to delighting readers in the way we authors expect and hope.

We all know “gimmicky” when we read it: something feels lazy, forced, or somehow not genuine, because characters aren’t being true to who we believe they are (who they’ve shown themselves to be.)

I’ve written one post about suspense tactics turning gimmicky, but this post is different. In many ways, surprise is the opposite of suspense. And that explains the first reason surprises in fiction can feel gimmicky:

1. THE STORY DOESN’T SET UP FOR THE SHOCKING REVELATION

Suspense is all about building tension, based on knowing only PART of what’s going on. You know a killer is in the house, but you don’t know when he’ll strike. You know the bad guy is up to something, but you…

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