Month: March 2020

A few weeks ago, I had a blog-conversation with Jacqui Murray of Worddreams about editing out gerunds (those “ing” words). I’ve heard many times that these words should be avoided when writing fiction but never understood why. While some writing no-nos stab me in the eye every time I read them (such as filter words), gerunds never really bothered me.

So, a little research later, here’s the scoop:

Gerunds do three things:

They express ongoing action when combined with auxiliary (helping) verbs:
She was washing her hands.
The snow will be piling up all night.

They act as nouns:
Vacuuming kept the dog hair to a minimum.
Walking helps me stay healthy.

They act as adjectives:
The falling apple bonked her on the head.
A failing grade won’t get me into college.

Opportunity #1

Present, future, and past progressive verb combinations

When combined with little “helping” verbs such as

Hi, SEers. You’re with Mae today for a look at writing action scenes. Of all the types of scenes that go into constructing a novel, I used to dread action the most. Not so much these days, but they’re still the scenes I tweak and re-tweak most during editing.

When writing an action scene, there are a few tips to keep in mind:

Use Short Sentences
Short sentences generally work best in action scenes. Keep your reader pumped up and immersed in the moment. Don’t leave them stumbling over a tangle of lengthy sentences. Intersperse longer sentences with dialogue and/or shorter sentences to propel the action forward.

Avoid Weak Verbs
Actions scenes call for strong verbs. Avoid verbs that are overused (turned, pulled, looked, moved). A trick I use when I write action is to focus on the urgency of the moment. As an example, people don’t just turn or